By Chris Heide
Come From Away is as a timely show now as it was when it first debuted. In a time of radicalism, fear, bigotry, racism, sexism, and polarization within our country, Come From Away reminds us of the simple human bonds that join us all. It is also harrowing to be reminded that perpetual state of fear and chaos surrounding 9/11 can manifested and evolved and continues to exist today, albeit in new forms of prejudice and discrimination. Come From Away tells the story of a small town in Newfoundland that gained the worlds attention during events of September 11th. Ironically, this show serves as an unintentional allegory and crucible for the event unfolding in the world today.
The plot is simple. In the immediate aftermath of September 11th, 60,000 passengers are stranded in a small town of 7,000 people, as all air traffic had been halted in response to the devastating terrorist attacks. The show depicts how that initial culture of fear, distrust and unease transforms into a soaring musical celebrating truth, commonality, and gratitude. The true power of what can happen as individual come together in the aftermath of chaotic, heart wrenching tragedy.
Photo Credit: Matthew Murphy
The show itself is well paced. It comes in under a brisk 1 hour and 40 minutes, without an intermission; hardly your typical Broadway affair. There are no set changes and scenes flow into each other without obvious notice. The book is reminiscent of Rent; a show where the majority of the dialogue is sung, and the songs seamlessly transition with unstoppable flow. This shows is reminiscent of Hamilton or Rent in its rhythm and pacing.
Come From Away is a show without a clear lead. While this is unusual, it is an element that makes the show diverse and unique. Every cast member showcases their talent by portraying multiple characters throughout the show. Each of the characters are strong, each performance is well executed, and each emotional moment resonates with equal weight. As with any top-tier Broadway show, there is always that one song with that one note. For me, that big note can define the rest of the musical. A melismatic and piercing high note adds a certain gravitas and goosebump inducing enjoyment to an already brilliant show. Come From Away absolutely has that moment and it is a moment you do not want to miss.